Contemporary art’s vast roster includes Alicja Kwade who is doing good in becoming a part of today’s avant-garde pretending Bürger was wrong.
Art and aesthetics are a kind of problematic equation, perhaps a forgotten or even interrupted relationship that has to be reconsidered over and over again.
Der fortschrittliche Zeitpfeil biegt sich zu Kreisen und so kehrt auch die These der Peak Art wieder.
Avant-garde’s opponent is not waiting on the other side of the battlefield. It resides within the own troop.
Individuals, unlike market bonds or particles, are tied by values, expectations, beliefs, cosmologies and references that define their identity.
The perfect dictatorship begins when the regime turns people spying on themselves, vigilant, infamous. Anytime, anywhere, the other is not a we.
There is a fine line between destruction as creative or nihilistic act—and it all comes down to the ideas behind it.
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