The cybernetic dream of Norbert Wiener is nearly coming true.

Instead of accepting speculative endeavours as reflections of the present in the future, enabling diffractive viewpoints within the world can help us engage into a deeper analysis of how speculations can actually come to be.

Aesthetics: And Smooth and Striated Space, 572-82.

Problematizing Rubens’ Winter

Un_bewegt

Die Welt zu Gast im Teutoburger Wald

The power of a cultural production resides not in its ability to immediately modify the present, but in its capacity to influence the future.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Repetition is not different to the pathos of a “creative destruction”.

Wie prägen die technischen Interfaces unseren Blick?

Doch die Friedhofsruhe, die jetzt andächtig um Kiefers Werk verbreitet wird, ist aus dem gleichen Stoff, wie die hysterischen Abgrenzungsversuche, weil beides dem Werk äußerlich bleibt und aus deutschen Projektionen besteht.

Governmental Precarization

Stratigraphische Bilder. Neue Ästhetiken der Montage?

Autonomy and Negation in Theodor W. Adorno

Je sais, mais quand même

Precarious body/images

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Towards a New Art Criticism From Latin America

Art is aperture of the world.

To Much Future/To Much Time

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