The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

The fetish for glow, the iridescence, and shimmer growing over our bodies like a skin made of light, cannot be detached by references to enhancement, the almost untouchable, the undying dream of artificial.

The smooth space is a space without fixed perspective.

In Walter Benjamin’s understanding, the use of allegory is
typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

Contemporary Aesthetic Experience

The current crisis of democracy is the conjunction of a state of affairs that cannot and doesn’t want to change.


It is necessary to promote and ensure the democratic “distribution of the sensible”.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

Problematizing Rubens’ Winter

Stimme und Verfremdung am Theater

Governmental Precarization

Precarious body/images

Die Welt zu Gast im Teutoburger Wald

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

Peter Sloterdijk thinking of Theodor W. Adorno’s birthday

Le Désir attrapé par la queue


Aesthetics: And Smooth and Striated Space, 572-82.

The cybernetic dream of Norbert Wiener is nearly coming true.


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